The "XXX" is a registration code for the specific ISRC issuer. "ZZ" is used by recordings which are assigned codes by the international ISRC agency. The codes "CP" and "DG" are reserved for future recordings in case of overflow from the previous country codes. All the "US" number codes for use in the United States have been exhausted so the United States now uses the country code "QM". This is assigned to the standard two letter country abbreviations as defined by the ISO 3166-1-Alpha-2 standard. The "CC" is the country code of the ISRC issuer.
The four parts all stand for various identifying features of a recording or music video. The format of ISRC are twelve characters long, in the form "CC-XXX-YY-NNNNN". Read more: 5+ Easy Ways to Find a Band to Jo The Recording Industry Association of America (RIAA), which administers and governs recording in the United States, started issuing ISRCs in 1989. National agencies began to assign ISRCs to music videos in 1989. In 1988, the International Federation of the Phonographic Industry (IFPI) decided that all of its member companies should adopt ISRCs for their music videos, based on the recently completed ISO 3901, which outlined the number naming convention and system. This decision is left to the discretion of the administering record company. If the remaster of a particular recording retains most of the integrity of the first one, and the audio is not changed in any way, then the ISRC can be kept by the remastered recording. The only exception is where recordings are remastered.
Each different recording, edit, remix or arrangement of the same work should have its own ISRC. You can't, though, get an ISRC on some music that you've written down but haven't recorded, such as lyrics or sheet music. This means, for example, that you can get and ISRC on a song that was written by somebody else that you have covered and recorded. The main thing to remember about the International Standard Recording Code (ISRC) is that it identifies the sound recording or music video recording of a song, not the composition, structure or intellectual property of a song.
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